Ham’s “Song For a Lost Friend” is the first song on album that is not a direct, front and center pop tune. This measured composition is the first song on Badfinger that reaches the level of excellence Badfinger was able to traverse. A great guitar lead follows philosophical lament that, in retrospect, could sum up Badfinger’s career as a whole;
You had a goal, you know you aimed so high, you had a soul, you knew you had to tryTaking about a minute for a clever intro of someone entering their house and turning on the radio to a distant rendition of the very song we’re about to hear, Tom Evans‘s “Why Don’t We Talk?” is a very John Lennon-ish type of song in its approach. Molland’s “Island” is the most hard rock based on the first side, built on rudimental riffs, driving rhythm sections, and potent guitar lead.
You’re just a victim of the time of day no matter what you say or do, you saw your dream and you just took a play and for a while your dream came true – what could you do?”
Badfinger‘s second original side is far superior to the first, with each band member composing some unheralded gems. These four tracks are sandwiched between a couple of unique tracks which bookmark the side. “Matted Spam” is a full-fledged funk n’ soul, complete with driving bass, a full horn section and a later saxophone solo. This song of optimism is infectiously bouncy and catchy with an almost Gospel feel of revival. The closer “Andy Norris” straddles the line between old time rock of the fifties and an early prototype for upcoming acts like The Ramones.
The four standout tracks that are the heart of quality on Badfinger start with “Where Do We Go from Here?” by Evans. It is excellent, melodic, and driven by a cool Wurli piano with tactical guitar licks music and vocals desperate but controlled. Evans’s bass has a bit of Caribbean feel in its beat, which is confirmed later with a short steel drum lead. “My Heart Goes Out” is a British-flavored-folk track with unique arrangement, composed by drummer Mike Gibbins. The chorus of string instruments including mandolin, dobro, and acoustic guitars gives a special melancholy vibe that keeps things interesting.
It's a pity that this album and the other '74 release ''Wish You Were Here'' was more or less the albums who turned it all for the band to a cruel fate. All seems looking good and one year later all was broken in a sad way.
Enjoy the music and have fun, these guys was a truly great band.
Greetz
Frank Flac
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